Hi Clara!
You worked very hard on rewriting this play. It is tighter; every scene pushes the premise forward; and the play ends in a delightful turnabout. Your strongest points are an ear for dialogue as spoken in the streets (as opposed to poetic dialogue) and a sense of humor, both of which I found absent in your other play, Birth Days.
Make Sure verges on theatre of the absurd. It is a comment on the tension between authority and the individual (or the individualist). The only suggestion I can make at this point is perhaps link each artwork in the gallery to a particular playwright or a play (as you did the first installation with Tennessee Williams's The Glass Menagerie. That would add a dimension to the parallelism you are drawing between theatre and visual art.
This play seems more reading-ready to me than your other play.
You worked very hard on rewriting this play. It is tighter; every scene pushes the premise forward; and the play ends in a delightful turnabout. Your strongest points are an ear for dialogue as spoken in the streets (as opposed to poetic dialogue) and a sense of humor, both of which I found absent in your other play, Birth Days.
Make Sure verges on theatre of the absurd. It is a comment on the tension between authority and the individual (or the individualist). The only suggestion I can make at this point is perhaps link each artwork in the gallery to a particular playwright or a play (as you did the first installation with Tennessee Williams's The Glass Menagerie. That would add a dimension to the parallelism you are drawing between theatre and visual art.
This play seems more reading-ready to me than your other play.
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