Do not stop at description. It is not enough. It is the uncut fabric, it is the unsewn piece, and it is far from the final product your readers can apply to their lives.
Tony Perez's Workshop in Creative Writing, Creative Drawing, and Creative Drama
Go GREEN. Read from THE SCREEN. |
Writing from The Heart
Writing from The Heart
"Writing from The Heart" is a workshop on creative writing, creative drawing, and creative drama.
There are three available versions of this workshop: one for beginners on the secondary, tertiary, and graduate levels, and another for practitioners.
A third version of this workshop is designed as an outreach program to disadvantaged and underserved audiences such as the disabled, the poor and the marginalized, victims of human trafficking, battered women and abused children, drug rehabilitation center residents, child combatants, children in conflict with the law, prisoners, and gang leaders. This third version incorporates creativity and problem awareness, conflict resolution, crisis intervention, trauma therapy, and peacemaking.
CURRENT ENTRIES:
Saturday, December 30, 2017
The New Year's Happiness Raffle
In your foyer, place a bowl filled with rolled-up slips of paper containing personal messages and poems of your own composition, and ask each guest to draw one as they come in.
Thursday, December 28, 2017
Tuesday, December 26, 2017
A Writer's Year-End Exercise
If you are keeping a journal, reflect on your previous year, a month at a time, from January to your present situation. Write one important thing you learned each month, coming up with a list of 36 (or less). Which three things helped you the most to grow mentally, emotionally, and spiritually?
Draw a pyramid of squares (bottom row, five squares, middle row, four squares, top row, three squares) and arrange your 12 lessons accordingly with the three most important things you learned on top.
Then draw three blank squares to complete the pyramid. Write, inside those squares, what you hope to attain in 2018.
Draw a pyramid of squares (bottom row, five squares, middle row, four squares, top row, three squares) and arrange your 12 lessons accordingly with the three most important things you learned on top.
Then draw three blank squares to complete the pyramid. Write, inside those squares, what you hope to attain in 2018.
Monday, December 25, 2017
Saturday, December 23, 2017
Wednesday, December 6, 2017
Monday, December 4, 2017
In-Depth Writing Exercise #8: Merging With The Elements
This exercise sounds easier than it seems.
1. Should you happen to have four, small, translucent glass containers with lids:
--fill the first glass with potting soil (earth),
--the second with incense dust (air),
--the third with ashes (fire),
--the fourth with sand (water).
Should you have two more:
--fill the fifth glass with sawdust (wood),
--and the sixth with iron filings (metal/iron).
2. Place the bottles on your writing desk--the more decorative they look, of course, the better.
3. Do this exercise not at whim but whenever you seem to be stuck on a passage or a scene that you are writing.
4. Take the bottles one at a time, holding each bottle in your hands, merging with the element and then re-visualizing or mentally re-composing the passage or scene in your mind.
5. You will find that each element will "write" the scene or passage for you in a different and distinct way.
6. Go with the scene or passage that resonates within you most, like an inner bell, an inner chime, or an inner tuning fork.
7. Your choice may determine the dominant element in your particular piece of writing.
1. Should you happen to have four, small, translucent glass containers with lids:
--fill the first glass with potting soil (earth),
--the second with incense dust (air),
--the third with ashes (fire),
--the fourth with sand (water).
Should you have two more:
--fill the fifth glass with sawdust (wood),
--and the sixth with iron filings (metal/iron).
2. Place the bottles on your writing desk--the more decorative they look, of course, the better.
3. Do this exercise not at whim but whenever you seem to be stuck on a passage or a scene that you are writing.
4. Take the bottles one at a time, holding each bottle in your hands, merging with the element and then re-visualizing or mentally re-composing the passage or scene in your mind.
5. You will find that each element will "write" the scene or passage for you in a different and distinct way.
6. Go with the scene or passage that resonates within you most, like an inner bell, an inner chime, or an inner tuning fork.
7. Your choice may determine the dominant element in your particular piece of writing.
Subscribe to:
Posts (Atom)