Tony Perez's Workshop in Creative Writing, Creative Drawing, and Creative Drama
Go GREEN. Read from THE SCREEN. |
Writing from The Heart
Writing from The Heart
"Writing from The Heart" is a workshop on creative writing, creative drawing, and creative drama.
There are three available versions of this workshop: one for beginners on the secondary, tertiary, and graduate levels, and another for practitioners.
A third version of this workshop is designed as an outreach program to disadvantaged and underserved audiences such as the disabled, the poor and the marginalized, victims of human trafficking, battered women and abused children, drug rehabilitation center residents, child combatants, children in conflict with the law, prisoners, and gang leaders. This third version incorporates creativity and problem awareness, conflict resolution, crisis intervention, trauma therapy, and peacemaking.
CURRENT ENTRIES:
Saturday, April 22, 2017
When uncertain as to what you should paint, place your canvas upright at the base of a tree. The shadows of branches and leaves will fall on the canvas and suggest visual images.
When uncertain as to what you should write, sit in front of a tree, look up at its branches and leaves, and contemplate their patterns. Look down at your notebook and go with the first association that comes to your mind.
When uncertain as to what you should write, sit in front of a tree, look up at its branches and leaves, and contemplate their patterns. Look down at your notebook and go with the first association that comes to your mind.
Friday, April 21, 2017
An Exercise In Developing Dialogue
Record a normal conversation. Transcribe it on paper if necessary.
1) What is the objective of each person in the conversation?
2) Mark the twists and changes that each person in the conversation takes.
Now REWRITE the conversation as dialogue in a play, keeping in mind that the dialogue in every scene in a play must push the premise forward.
3) After deciding what the premise of each person in the conversation is, DELETE all irrelevant passages from the conversation.
4) Rewrite the conversation so that each line pushes its speaker's premise. Be aware of dramatic economy and cross out everything superfluous, i.e., any idea that has already been articulated.
5) Now read through the rewritten conversation. Do emotions play a role in the conversation? If they do, EXAGGERATE each emotion--merely as an exercise--in the conversation.
Reread your work. You have just written a passage of dialogue.
1) What is the objective of each person in the conversation?
2) Mark the twists and changes that each person in the conversation takes.
Now REWRITE the conversation as dialogue in a play, keeping in mind that the dialogue in every scene in a play must push the premise forward.
3) After deciding what the premise of each person in the conversation is, DELETE all irrelevant passages from the conversation.
4) Rewrite the conversation so that each line pushes its speaker's premise. Be aware of dramatic economy and cross out everything superfluous, i.e., any idea that has already been articulated.
5) Now read through the rewritten conversation. Do emotions play a role in the conversation? If they do, EXAGGERATE each emotion--merely as an exercise--in the conversation.
Reread your work. You have just written a passage of dialogue.
Wednesday, April 12, 2017
Tuesday, April 11, 2017
Tuesday, April 4, 2017
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